Criticism, interviews, and essays in Artforum, Frieze, Art in America, and Art Papers
Bea Huff Hunter is a British American contemporary art writer and critic. She holds a BA (Hons) in fine art painting from Chelsea College of Arts, University of the Arts London, and an MA (Distinction) in art history from the University of York, where her AHRC-funded research centered on Agnes Martin. Her writing has appeared in Artforum, Frieze, Art in America, and Art Papers, where she served as a contributing editor. She was nominated for the Dorothea and Leo Rabkin Foundation Prize in Art Journalism.
SELECTED ART WRITING
Interview, “Louise Fishman: 500 Words,” Artforum
Interview, “A Fine Line: Drawing and the Digital Ground in the Work of Tamarin Norwood,” CAA Art Journal Open
Interview: “Karla Black: More Than Words, Art in America online
Review, “Ellen Harvey: Metal Painting / The Museum of Ornamental Leaves and Other Monochromatic Collections,” Barnes Foundation and Locks Gallery,” Philadelphia, Frieze
Review, “Sarah Sze,” Fabric Workshop and Museum, Philadelphia, Sculpture
Review, “Becky Suss/Wharton Esherick,” Fleisher Ollman Gallery and the Wharton Esherick Museum, Philadelphia and Malvern, Artforum
Feature, “Infectious Sovereignty: Triple Candie Editorializes the Exhibition,” Art Papers
Feature, “Line Into Space: Monika Gryzmala,” Sculpture
Exhibition Text, “A gathering, a sensuous meeting of thinking bodies,” for Intimate Immensity, curated by Alexis Granwell, Pennsylvania Academy of Fine Arts, Philadelphia
Catalogue Essay, “Pareidolia: Shawn Thornton,” edited by Corina Low and Nancy Princenthal, Cue Art Foundation, New York
CONTACT
Note: This site is currently an archive of Bea Huff Hunter’s critical writing. It will be updated to reflect new creative work as it takes shape.